It seems it should go without saying that you are uniquely qualified to write your memoir. And yet, the voices lurk at the edges of your consciousness: Who do I think I am? Am I a fraud? A wannabe? We …
Memoir
Discovering Your Process
Finding Your Way As you write each day, you discover your own process. You begin to see there is no “right way” to create and that your objective is simply to let the story live. The first draft is a …
Permission to Write the Truth
What is the Truth of your story? OK, you’ve outlined your story and you’re getting ready to write your first draft. But something doesn’t feel right. You tell yourself that you’re not ready, that you …
But That’s What Really Happened
“I've given my memoirs far more thought than any of my marriages. You can't divorce a book."—Gloria SwansonSticking to "What Really Happened" might cause a disconnect In writing fiction, we …
Asking “Why?”
Always keep your ideal reader close by in your mind asking "Why?" Our subconscious is perfectly designed for this process. It already knows the story. Our only job is to remain curious and inquire …
Why Writers Get Stuck
Einstein says, “You cannot solve a problem at the same level of consciousness that created the problem.” Writers often get stuck because they believe it’s their job to figure out a solution to …
One Thing Readers Hate
One thing readers hate are coincidences. Sure, coincidences occur in our lives every day, but in a story, they are generally a problem. Readers lose interest when coincidence leans in the …
Take Risks – Advice for First-Time Writers
“In order to share one's true brilliance one initially has to risk looking like a fool." - Criss Jami Writing your first story is sort of like, well . . . there’s a first time for everything. It’s …
Blind Spots in Your Story
It is human to have blind spots, and often convenient to be in denial about certain aspects of ourselves. This is natural, or, at least, common. Humans are not logical, and stories both great and wild …
On Writing Dialogue
“If you have a good ear for dialogue, you just can’t help thinking about the way people talk. You’re drawn to it. And the obsessive interest in it forces you to develop it. You almost can’t help …